

The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls.įor synthesiser sounds, the software features newly-developed 4-Pole Juicy and Power filter algorithms with oscillating resonance that are ideal for electronic bass.
Spectrasonics trilian patch Patch#
The Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. Groove Lock for Trillian arpeggiators is also supported with Stylus RMX, with perfect synchronisation between all 3 Spectrasonics instruments. Powered by STEAM Engine technology, Trilian features core library integration with Spectrasonics' Omnisphere virtual synthesiser, allowing Trilian's sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.

The new Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples used to create the single instrument. Over 60 different 4, 5, 6 and 8 string electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations.

Multi-sampled dynamic slides let notes realistically slide from one to another and each of the new basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass. The combination of the software's intuitive, automatic selection of legato and release articulations as the user plays, along with the Round-Robin variations, produce natural sounding bass lines, especially in the case of repeated notes. The new acoustic and electric basses are sampled at an extremely high level of detail resulting in a 34GB library. Although a successor to Trilogy, this instrument was designed completely from the ground up to deliver a comprehensive and versatile virtual bass instrument. The instrument provides a new level of expressiveness, along with powerful editing and impressive sound quality. Omnisphere 2.6 is recommended for GaiKaiju to perform as intended.Trilian from Spectrasonics is a vast virtual instrument for the real-time performance of acoustic and electric basses, along with cutting-edge synthesiser bass tones. GaiKaiju also comes in a Deluxe version, which features an extra 50 patches created using the Bob Moog Tribute library soundsources (which you will need to already own for them to work). This soundset takes the dark, relentless, heroic pulse of Dunkirk and the unbearable, damaged beauty of Blade Runner 2049, and melds them together, using techniques that include pitch-shifting and bending, analogue drift, odd time signatures and larger than life effects, to produce a collection of iconic, cinematic sounds that will take your breath away. GaiKaiju is a celebration of bombastic and powerful sounds, taut structures and textures, and emotional and dynamic expression: a hybrid blend of immense, analogue synths and subtle, organic samples.īattering drum loops, kinetic basslines, sumptuous pads, soaring synths, eerie soundscapes, nail-biting sfx, pounding impacts and colourful sequences, come together to create a cavalcade of noises that throb with tension, drama and energy, on a colossal, widescreen scale. This library is inspired by the modern scoring style of Hans Zimmer in particular, his collaborations with Benjamin Wallfisch on Blade Runner 2049 and Dunkirk. Omnisphere GaiKaiju is a collection of 500 patches for Spectrasonics’ Omnisphere.
